Luna's Ongaku Go For February 2021!

Picking up after Ken with another month down from 2021, we at OTY would like our readers to know what was filling our ears for the past month. Each track is available across all digital music streaming platforms, with Apple Music featured on this site.

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“CRAZY OUTSIDE” by MIYACHI & Thelma Aoyama

MIYACHI has been on my radar since I heard him featured on the m-flo track “Sheeza”, and I have been a Thelma Aoyama fan since “Soba ni Iru yo”; so “CRAZY OUTSIDE” is a dream track for me. Thelma’s vocals are perfect for this track as she has an alluring and sultry vibe while MIYACHI’s rap flows perfectly with Thelma’s vocals. The back and fourth between both artists show the chemistry they have together in this song as it matches perfectly. MIYACHI and Thelma bring the perfect Western meets Eastern mixture to “CRAZY OUTSIDE” which is one of the reasons why I enjoy this track so much, with the lyrical style and rap being Western and the composition mixing the Eastern flavor in. Forewarning, there are explicit lyrics in this track.

Check out “CRAZY OUTSIDE” here, along with the music video below!

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“WASURENA” by Awesome City Club

After Gray’s Music Corner of Awesome City Club, I have been anticipating their newest album release of Grower and was not disappointed. The lead track of Grower, WASURENA immediately caught my ear with its relaxing beats and smooth vocals by both PORIN and Morishi making for the perfect blend. The composition of this powerful resonating track picks up in the chorus, chiming in with drums, guitar, and violins in full force, showing the extent of how Awesome City Club brings talent and vision.

Check out “WASURENA” here, along with the music video below!

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“Hajimari no Toki” by Ms. OOJA

Ms. OOJA is celebrating her 10th Anniversary this year and she has been off to a fantastic start. In December she released covers of Heisei era songs, and in February she streamed her 10th Anniversary Tour as well as releasing her latest single “Hajimari no Toki”, which is a powerful ballad. When I first heard this amazing song, I was blown away with Ms. OOJA’s powerful yet smooth vocals alongside a beautiful composition. “Hajimari no Toki” is a track that is easily enjoyable over and over with the meaningful lyrics and soft melody mixed with the soulful vocals Ms. OOJA carries. This track has stayed with me throughout the month.

Check out “Hajimari no Uta” here, along with the music video below!

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“Boss” by CREAM

CREAM recently released the music video for “Boss”, which was a part of their newest digital single “Independence Day Vol 1” that released in December 2020. This music video release brought me back to this track as I initially wrote it off, but upon watching the video I realized how much I enjoyed it and added it to my rotation for the month. “Boss” is more of a chill R&B-hip-hop track with its laid back composition. MINAMI delivers great vocals with the perfect laid-back feel and Staxx-T’s delivers a rap that matches the vibe the song portrays. Forewarning, this track does have explicit lyrics.

Check out “Boss” here, along with the music video below!

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“Chronometry” by TEARS OF TRAGEDY

Hot off my Music Corner is TEARS OF TRAGEDY; many of their tracks still have an impact on me. “Chronometry” is one of those tracks that stays with you due to its unique composition. There are so many transitions and music going on in this song that each time I feel something new. Plus I absolutely love how HARUKA’s vocals emulate the heaviness the composition displays in certain parts. “Chronometry” had an effect on me I did not expect and has continued to stay with me throughout the month.

Check out “Chronometry” here, along with the music video below!

Music Corner Week 68: TEARS OF TRAGEDY

TEARS OF TRAGEDY is a three member melodic power metal band that formed in 2008 and consists of HARUKA (Vocal), TORU (Guitar), and HAYATO (Keyboard). When originally formed, the band only consisted of TORU and HAYATO; HARUKA did not join until 2010. A year after Haruka joined, they would go on to release their first full length album ELUSIVE MOMENT. TEARS OF TRAGEDY gives off a powerful performance in all the music they create with a melodic yet heavy composition mixed with HARUKA’s deeply dominant vocals. TORU’s guitar work is phenomenal when he goes on riffs and you hear the impressive skill he has. HAYATO’s talent shines bright here with her mesmerizing skill on the keyboard.

In their latest digital single “Nonsite”, HARUKA’s vocals are dominant and smooth mixing perfectly with the composition and the chorus just pulls it all together. HAYATO’s keyboard moments are mesmerizing as he just takes over in many parts of this track. TORU’s guitar riff leading up to the final verse is ear pleasing. “Astrea” is a powerful track that starts right off with HARUKA’s impressive vocals and both TORU and HAYATO intermixing the guitar and keyboard make this track flow so well. “Void Act” is an impressive and heavy track that shows off TORU and HAYATO’s skills right off the bat leading right into HARUKA’s mighty vocals then mixing right in. In “Void Act”, it is easy to get lost in this tune as the guitar and keyboard just suck you in and HARUKA’s voice leads the way.

Currently, TEARS OF TRAGEDY have two singles, “Astrea (2017)” and “Nonsite (2020)”; and four albums, ELUSIVE MOMENT (2011), Continuation Of The Dream (2013), STATICE (2016), and their latest TRINITY that released November 2020! Be sure to check our their official website, facebook, HARUKA’s Twitter, and TORU’s Twitter along with the music video for “Nonsite” below!